Register/Login in incognito mode isn't supported.

Sign Up

Please select learner's age group.

Existing user? Login

By clicking the "Sign Up" button, you agree to these Terms of Service.

Hindustani Vocal 310


The student has completed HV309 at the academy OR the student has learnt Chhota Khayal in about thirty-five Ragas and is able to present at least 20 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.


Raga Poorvi is one of the concert favourite evening Ragas. The Bada Khayal is learnt in this course with Aalap Badhat, Bol Aalap and Taan. Singing Swar Vistar, composing and singing various Swara patterns in the Paltas of Poorvi is practised during this course. The Chhota Khayal in Poorvi is also sung with development of Aalap and Taan.

Raga Gaud Sarang is a Raga which combines beautiful musical phrases into melodious designs. The Bada Khayal in this RAga is practiced.  

Raga Desi, also known as Desi Todi is a morning Raga, introduced in this course.  Raga Desi is an interesting Raga which acquires form with the zig zag movements of Swara combinations. A Chhota Khayal is introduced in this Raga which has the potential to be developed and elaborated in all three Saptaks.

The student composition done in the previous course in Raga Shree could be reviewed. Recitation of Jhaptaal in Dugun is practiced.

Theory –Important musical concepts from Bharata Natya Shastra and Sangeet Ratnakara. Review Raga characteristics of Ragas learnt.